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http://kotaku.com/bitcoin-mining-is-getting-out-of-control-1471769898

http://www.techspot.com/article/777-litecoin-mining-project/

Images of a recent Litecoin Mining rig
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Lite Coin Further research 2-18-14.txt

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©Caitlin McGinn-1st place winner Yad Vashem International Poster Competition 2013

Steven Spielberg: We must act on what was learned from the Holocaust

Oscar-winning film director, writer and producer Steven Spielberg stressed on Monday the importance of gathering testimony to horrors such as the Holocaust in order to create awareness and preventative measures for the future.

“Mass graves don’t have to open up before we act,” Spielberg said in the keynotes address of a special UN General Assembly session marking the International Holocaust Remembrance Day. “It is a great accomplishment of our species that the testimonies [of survivors] can be heard in the high chambers of society.”

The director of the epic Holocaust-era film Schindler’s List said the memory of the Holocaust remained with us today and the victims of past genocide had now become “teachers to victims of recent genocide.”

“Genocide is an evil. But, the greatest evil is when people who have been spared the horrors commit themselves to despair,” Spielberg said. “We know despair and remembering are a choice. But we need to confront and act on what we learned,” he added.

Touching on his preparations for Schindler’s List, Spielberg said directing the film and interviewing survivors were part of his approach to offering a platform for what he said was an often-encountered hope of survivors to be “heard, believed and understood”.

“It took me years of directing sharks, aliens, and dinosaurs before I felt ready to tackle the Holocaust,” he admitted. Spielberg said although he had no personal journey through the Holocaust, his “Holocaust journey is a journey toward understanding.”

Spielberg said history and the memory of the Holocaust must be engaged with fully to progress justice. This year will mark the 20th anniversary of the USC Shoah Foundation Institute, which was founded by Spielberg following the filming of Schindler’s List. The USC Shoah Foundation Institute is a long-standing partner of the Holocaust and the United Nations Outreach Program.

“State of Israel is the only guarantee to ensure the future of the Jewish people,” says Israeli Ambassador to UN Prosor during special ceremony in New York commemorating Int’l Holocaust Remembrance day.

Israeli Ambassador to the UN Ron Prosor speaks at a special General Assembly session marking International Holocaust Day, January 27, 2014. Photo: screenshot Meanwhile, Israel’s Ambassador to the UN Ron Prosor stressed that remembering the Holocaust was not enough to guarantee the future for the Jewish people. “The State of Israel is the only guarantee that the future and fate of the Jewish people will be held in our own hand,” Prosor said Monday at the UN memorial. “The Holocaust has taught us that remembrance without resolve is meaningless,” Prosor said. “Awareness must be matched with action.” “Almost 70 years after the Holocaust, the world is still plagued with anti-Semitism,” Prosor noted. “Men and women are still persecuted for what they look like, how they worship, and who they love.”

The UN, that was born from the bloodshed and brutality of World War II, has a responsibility to educate the future generation to acceptance, compassion and tolerance, Prosor said.

Quoting Holocaust survivor Elie Wiesel who said “To remain silent and indifferent is the greatest sin of all,” Prosor said it is our responsibility to never again allow silence to prevail and indifference to reign. The special UN ceremony was held at the UN headquarters in New York, centered around the theme “Journeys through the Holocaust.”

UN Samantha Power also addressed the special session, as well as the General Assembly President John W. Ashe and Holocaust survivor Rena Finder.

The event also featured a video message from United Nations Secretary-General Ban Ki-moon. Ban recently released the video, reflecting on his visit to the Auschwitz concentration camp in Poland late last year. “I will never forget my visit. I saw the horrific remnants of the machinery of genocide… The United Nations was founded to prevent any such horrors from happening ever again,” Ban Ki-Moon stated. “We will continue to shine a light on these unspeakable crimes so that they may never be repeated,” he added.

Emphasizing the importance of formal instruction on this subject, the secretary-general has also said that education and public awareness are the first defense against prejudice, ethnic hatred and intolerance.

European Union foreign affairs chief Catherine Ashton also related to International Holocaust day Monday, emphasizing the importance of fighting racism. “On Holocaust Remembrance Day, we must keep alive the memory of this tragedy. It is an occasion to remind us all of the need to continue fighting prejudice and racism in our own time. We must remain vigilant against the dangers of hate speech and redouble our commitment to prevent any form of intolerance. The respect of human rights and diversity lies at the heart of what the European Union stands for,” Ashton stated.

The International Holocaust Remembrance Day is marked every year on January 27. It was designated by UN General Assembly resolution 60/7 on November 1, 2005, after a special session held on January 25 that year that marked the 60th anniversary of the liberation of the Nazi concentration camps.

The largest Nazi death camp, Auschwitz-Birkenau, was liberated by Soviet troops on January 27, 1945.

http://www.jpost.com/Jewish-World/Jewish-Features/WATCH-LIVE-UN-marks-International-Holocaust-Remembrance-Day-339504

March of The Living 2014

The March of the Living is a two week educational experience that takes place in Poland and Israel. Hundreds of Canadian students each year mark two of the most important dates in Jewish History. http://marchoftheliving.org/

Exhibition SHOAH in Block 27 at Auschwitz-Birkenau
Curated by Yad Vashem

SHOAH: The New Permanent Exhibition at the Auschwitz-Birkenau State Museum, Block 27 | Yad Vashem http://www.yadvashem.org/yv/en/exhibitions/pavilion_auschwitz/index.asp

Joods Monument

Digital Monument to the Jewish Community in the Netherlands http://www.joodsmonument.nl/index.php?lang=en

Ever since the Hong Kong action-movie boom of the 1980s, the film industries of East Asia have arguably been better at making old-fashioned, hard-boiled crime thrillers than Hollywood has. Martin Scorsese’s Oscar-winning “The Departed,” after all, was a remake of the 2002 Hong Kong thriller “Infernal Affairs” (albeit an excellent remake with its own spirit and considerable subtlety). While Asian pop cinema remains just off the radar screen of mainstream American culture, it’s a whole lot easier to find than it used to be. This week, Korean writer-director Park Hoon-jung’s byzantine, slick and bloody mob drama “New World” opens theatrically in numerous North American cities, just a few weeks after its smash-hit premiere in Korea.

Part of this new accessibility is simply about the speed of cultural transmission; no doubt pirated copies of “New World” are already available on the Internet, or on the sidewalks of Asian immigrant neighborhoods. If the film’s producers and distributors want to make any legitimate American (or Canadian) dollars off the damn thing, they have to get it out right now. But this also speaks to the rapidly changing demographics of our society; even five years ago, it’s tough to imagine a new movie in Korean, with no actors who count as stars outside East Asia, playing at multiplex theaters in Atlanta, Dallas, Las Vegas and Philadelphia. Furthermore, in this case it’s totally justified. While I’m not sure “New World” will attain the same near-classic status as “Infernal Affairs” or Johnnie To’s mid-2000s “Election” movies, on first viewing it’s pretty close.

We’re in familiar territory here, whether the setting is Asian, American or otherwise: sterile but luxurious settings, hard men in impeccable suits, a quasi-Shakespearean moral landscape of shifting alliances and repeated betrayals. Park, previously best known as the screenwriter for Kim Jee-woon’s hit serial-killer drama “I Saw the Devil,” handles it all with stern, commanding detachment. (The cinematography is by the terrific Chung Chung-hoon, who has shot most of Park Chan-wook’s recent films.) This aloofness extends both to camera movement and to character development, and I suppose it’s both the film’s major flaw and dominant quality. If our central focus is on Ja-sung (Lee Jung-jae), an undercover cop who has risen near the top of the Goldmoon crime syndicate, he remains a moral chameleon throughout, and we observe his torment only from the outside.

The Speed of Cultural Transmission